SAINT GENOIS Charles-Albert (de)
SIR JOHN HEWELT AND HIS PUPPETS
Oil on canvas: 61 x 51 cm / 24 x 20.1 ins
Signed lower left
Painter of genre scenes, still lifes, portraits and landscapes.
Pupil of Henri Gervex (1852-1929), Ferdinand Humbert (1842-1936) and Tony Robert-Fleury (1837-1911). Exhibited his “At the Moulin de la Galette” at the Paris Salon of 1885 and “Rehearsal at the café-concert of the Ambassadors” at the Paris ‘Salon des Artistes Français’ of 1886. That same year he participated with three paintings (“Violets”, “Beside the Seine (Paris)” and “Fruit”) at the Nantes Salon.
The painting represents Sir John Hewelt and his puppets of Leopold II of Belgium and Edward VII of England.
Charles-Albert de Saint-Genois de Grand Breucq came from an old noble family of Hainaut. His great-grandfather, François Joseph, Count of Saint-Genois, historian and genealogist, was Deputy for Hainaut to the Noble States. Settled in Prague after the Brabantine Revolution, he became Chamberlain to Emperor Francis II. Back in Tournay, the family endured the suppression of their feudal rights and other financial measures taken under Napoleon. Ruined, the Count waited for the fall of Bonaparte to assert his titles and was named First Herald of Arms of the United Kingdom of the Netherlands.
The painters grandfather, theCount Ferdinand (1793-1838), seems to have led a tranquil existence as a magistrate. The daughter of Count Ferdinand, Charlotte Elisabeth, called the Countess of Saint-Genois de Grand-Breucq (1830-1900) settled in France, first in the North, and then in Asnières near Paris. Although single, she gave birth to three sons: Hippolyte Alexis, born in 1853, Paul Alfred, born in 1857, and Charles-Albert.
Passionate about art from an early age, Charles-Albert entered the Ecole des Beaux Arts in Paris where he followed the teachings of Joseph-Nicolas Robert-Fleury (1797-1890) and Fernand Humbert (1843-1934). The young artist formed a friendship with Henri Gervex (1852-1929) which had a decisive inuence on his career.
In 1885, Saint-Genois entered the Salon with ‘Au Moulin de la Galette’ (no 2172). The following year, he exhibited ‘A Rehearsal at the Concert-Café of the Ambassadors’, belonging to a certain M. Ducarre (no 2107). As was the case for many painters of the time, Saint-Genois was fond of popular entertainment: balls, circus, street theater, a universe he knew well on account of his brother Paul Alfred, who performed as a prestidigitator under the name of Dicksonn before directing a theater in Asnières. The painter participated in the exhibition organized by the latter in 1892 ‘on Bualo Billslands’ at Porte Maillot on the anniversary of Columbus landing in America. Charles-Albert was in charge of the ‘panoramic museum’, while his brother took care of the ‘theater of retrospective sorcery’. The public could also discover pantomimes, ‘diverse attractions’ and dance.
Born in Avesnes in the middle of the 19th Century